Mask & Bauble Dramatic Society 2020-21 Season
The 35th Annual Donn B. Murphy One Acts Festival
Friday, March 5 at 7 p.m. EST
Under the City Lights by Catherine Shonack (SFS ’22)
Talkback with Catherine following the show
Accompanied by song, visual art, and movement, several city dwellers muse about their relationships to the city.
Saturday, March 6 at 2 p.m. EST
Opening Set by Timmy Sutton (COL ’20)
Post-show Talkback with Timmy
Dut. Dut. Dut dut dut dut. A group of band kids get ready for the opening set at the marching band competition, as they struggle with love, belonging, and their own identities.
Friday, March 12 at 7 p.m. EST (Post-show Talkback with Isaac)
Saturday, March 13 at 2 p.m. EST (Post-show Talkback with cast and crew)
The Ponderosa by Isaac Warren (COL ’20/GSAS ’21)
One ship. Countless galaxies. Five generations of crewmates on a mission to find where “home” really is—on their doomed ship, or a planet no one’s seen in generations?
Log on to enjoy our annual Donn B. Murphy One Acts Festival (DBMOAF), showcasing the work of three incredible student playwrights! This year’s festival was directed by Jenni Loo (SFS ’21), Sophie Stachurski (COL ’24) and Charlie Smith (COL ’24), produced by Daisy Steinthal (SFS ’23), stage managed by Nell DiPasquantonio (COL ’23), with technical direction by Jenn Guo (COL ’23).
RSVP for these shows at https://linktr.ee/dbmoaf21
PAST EVENTS
ANTIGONE
by Sophocles
Directed by Nick Giotis (COL ’23)
Produced by Fiona Breslin (SFS ’21)
Stage Managed by Gaby Turrinelli (SFS ’23)
Technical Direction by Bryce Kelety (SFS ’21)
Links to the live performances of antigone :
Saturday, november 14th @ 8PM est
Sunday, November 15th @ 2pm est
Antigone is a girl who wants to bury her brother; Creon is a king to whom order is paramount. When uncle and niece’s paths converge, the two become locked in a moral and ideological battle that calls into question family, leadership, and honor. Antigone is a play as powerful as it is timeless – one part coming of age drama, one part political expose, and one part family story, the Theban tragedy forces audiences to weigh pragmatism and emotion in a venue where no one’s motives are unimpeachable. Sophocles’s nuanced characters and vibrant plot tackle themes of loss, justice, growth, and responsibility – a story as powerful today as almost 3000 years ago.