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Box Office

IMPORTANT TICKET INFORMATION

Picture ID required to pick up tickets and for verification of ticket purchases. Please arrive 30 minutes early to collect your tickets. No refunds or exchanges given. The house is general seating. LATE SEATING WILL NOT BE PERMITTED.

Please call for accessible seating or group rates: 202-687-ARTS

Upcoming Performances
           (click on title or scroll down)


* The Clean House (Oct. 8-12)
* suddenly BLACK, at Georgetown (Oct 10 -11)
* Rapunzel Uncut (Oct. 16)
* ...And Jesus Moonwalks The Mississippi (Oct. 16-19 and Oct. 22-25)
* GU Players IMPROV show (Oct. 25)
* 12 Angry Men (Oct. 23-26 and Oct. 30 - Nov. 1)
* The Race (Oct. 30-Nov. 2 and Nov. 5-8)
* Post Classical Ensemble: Voice of Mexico (Nov. 1)
* DC A Cappella Fesival (Nov.1 and 8)
* The Post Classical Ensemble: The Mexican Odyssey (Nov. 6)
* GU Chamber Music Fall Concert: The Autumn Rhapsody (Nov.9)
* GU Orchestra Fall Concert: 99 (Nov. 12)
* Love Is No Laughing Matter (Nov. 13 - 15)
* Black Movements Dance Theatre Concert (Nov. 15)
* GU Concert Choir Fall Concert: Texts That Inspire (Nov. 19)
* GU Wind Ensemble Fall Concert ( Nov. 20)
* Raised In Captivity (Nov. 20-24)
* The 2nd Annual SAXATTACK! (Nov. 22)

* GUDC Fall Dance Concert (Nov. 21 - 22)
* Georgetown Jazz Fall Concert (Dec. 3)
* Ballet Folklorico Mexicano de Georgetown Presents Posada (Dec. 4)

* The T Party (Dec. 4 - 6)
* Guild of Bands Fall Band Blast (Dec. 5)
* The Pillowman (Jan. 15-17 and Jan. 22-24)
* Hydrogen Jukebox (Jan. 16-18)
* The Foreigner (Jan. 29-31 and Feb. 5-8)
*The Post-Classical Ensemble presents Copland And The Cold War (Jan. 31)
* The Bluest Eye (Feb. 18-21)
* Black Movements Dance Theatre Dance Concert (Feb. 20 - 21)
* Donn B. Murphy One Acts Festival (Feb. 25-Mar. 1)
* Jekyll and Hyde (Mar. 25–Mar. 29)
* Lysistrata (Mar. 26-29, Apr. 1-4)
* Address Unknown (Apr. 2-4 and Apr. 16-18)
* GU Wind Ensemble Concert (Apr. 15)
* GU Orchestra Spring Concert (Apr. 19)
* Pentecost (Apr. 23-26, Apr. 29-May 2)


Theater and Performance Studies Davis
Season Subscription

Subscribe to our Worlds in Motion Series and you receive seats to all four of our compelling productions from the 2008-2009 school year (…And Jesus Moonwalks The Mississippi, The Race, Lysistrata, Pentecost) at 50% off the regular ticket price. It’s like getting two shows free!

Plus, at no extra cost you enjoy complete flexibility without exchange fees and you will receive privileges throughout the year at the Davis Center, including priority invitations to special receptions, workshops, readings, residencies, lectures and master classes with many of the nation’s leading artists, and performances as part of our partnership with Arena Stage, our Festival of Interfaith Arts, and much more.

For more info about the season and to purchase a subscription, click here!


NMNomadic Theatre Season Subscription

Join Nomadic Theatre in their 27th year as they continue to focus on thought-provoking theater. This season features exciting works including an original workshop play focusing on DCs homeless written by a current Georgetown student. Buy a subscription to all 3 and receive a 25% discount. Not sure which evenings to attend, subscribers get free exchanges, so order now!

For more info about the season or to purchase a subscription, click here!


Mask & Bauble 2008-09 MandB Season Subscription

Come support Mask & Bauble in their 157th season, as they continue to provide a home for the classics and student-written work at Georgetown. A subscription to M&B's season will give you access to a wide range of shows, including everything from favorites like 12 Angry Men and Jekyl & Hyde to a one-act play written by a fellow Hoya. Buy a subscription to all five shows, and you will receive a 25% discount. Not sure which evenings to attend, subscribers get free exchanges, so order now!

For more info about the season or to purchase a subscription, click here!


Black Theatre Ensemble 2008-09 Season SubscriptionBTE

Black Theatre Ensemble collaborates with the GU Theater Program again in another DC Premiere! Then BTE presents a powerful adaptation of an American classic. You're invited to save $2 off the individual ticket price ($4 off if you get the package.) Buy a subscription now to support BTE and SAVE! Not sure which evenings to attend, subscribers get free exchanges, so order now!

For more info about the season or to purchase a subscription, click here!





suddenly BLACK, at Georgetown
Part of BTE’s 30th Anniversary CelebrationBTE

Written, Directed, and Performed by Obehi Utubor (SFS ’09)
October 10 and 11 at 6 p.m.

Davis Performing Arts Center, Rm 035

Admission is FREE. but tickets must be reserved. To reserve, go online at http://homecoming.georgetown.edu/2008/index.html
Must present picture ID and proof of faculty, staff, senior or student.

What does it mean to be suddenly Black at Georgetown? From the founding of the Black House in 1968 to rallies in Red Square, the play weaves through decades and various characters to depict the history of racial discourse on Georgetown's campus.  Join BTE as we kick-off the celebration of our 30th anniversary! (Note: This work is appropriate for young adults 15 years or older.)


Georgetown Players Children's Theater Troupe presents Rapunzel Uncut

Thursday, October 16, 2008 at 8 p.m.
Bulldog Alley, Leavey Center (between Hoya Court and the radio station)

Ticket Prices: This performance is free and admission/seating is on a first come, first serve basis.

The story of Rapunzel told by dueling narrators, with a misunderstood witch, an off-pitch Rapunzel, and an unimaginably stupid Prince.



The Clean HouseNM

The Clean House
By Sarah Ruhl
Directed by Laura Brienza (COL’10)
Oct. 8-10 at 8 p.m., Oct. 11 at 2 p.m. and 8 p.m., Oct. 12 at 7 p.m.
In Walsh Black Box Theatre

When married doctors Charles and Lane hire Matilde as their live-in maid, they get anything but a clean house. Sure, it looks spotless, but it’s soon filled with the dirty laundry of Charles’ affair with an older woman, Lane’s depression, her sister Virginia’s identity crisis, and Matilde’s struggle to find humor in a house in dire need of a good joke. A play about what it means to love and laugh in times when we never thought we could, The Clean House shows us that love itself is rarely clean. It’s dirty, like a good joke.

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...And Jesus Moonwalks the MississippiBTEAJMM

In collaboration with Black Theatre Ensemble
By Marcus Gardley
Directed by Reginald Douglas (Col ‘09)
October 16-18 at 8 p.m., October 19 at 2 p.m., October 22-25 at 8 p.m.

...And Jesus Moonwalks the Mississippi is a poetic retelling of the Demeter myth set in the American South during the Civil War. This play from one of America's hottest young playwrights examines how we shape ourselves in the face of history as it deconstructs ideas of identity, family, and race. Lyrical, musical, and magical, the play takes us to a world where trees preach, rivers dance, and Christ moonwalks.

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12 Angry MenMandB

By Reginald Rose
Directed by Kaelah Smith, COL ‘10
Oct. 23-25 at 8 p.m, Oct. 26 at 4 p.m., Oct. 30 - Nov. 1 at 8 p.m.
Poulton Hall Stage III

Twelve Angry Men is a taut drama depicting the deliberations of a jury after the murder trial of a young man. While the title implies a male-centric cast, this particular M&B presentation will be cast without regard for gender. The play explores the biases, ennui and differences of these 12 separate people to demonstrate the paramount importance of truth and justice.

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The GU Players IMPROV ShowsGPIG

October 25
November 15
January 17
March 21
April 18


All shows in Bulldog Alley at 9 p.m. Tickets available at the door, at the Davis Performing Arts Center Box Office or by calling 202.687.ARTS.

Also don't miss when the GU Players present
:

IMPROVfest

Friday, Feb 20 - 21 at 9 p.m.
Bulldog Alley

The Georgetown Players Improv Group invites you to a night of comedy provided by both GPIG and our special guests: Improv Troupes from surrounding universities! Improv is completely unscripted, and relies on audience suggestion, and the quick wit and active minds of the performers. We will present a mix of short form and long form Improv games. Please come and enjoy the show!.

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The Racetr

Conceived and Directed by Michael Rohd 
October 30-November 1 at 8 p.m., November 2 at 2 p.m.,
November 5-8 at 8 p.m.
In the Gonda Theatre

Co-produced with the American Studies Program, in association with Sojourn Theatre. Co-created by Visiting Professor Rohd, Founding Artistic Director of Sojourn Theatre, Portland, Oregon, one of the nation’s leading practitioners of civic-theater, with GU students and professional guest artists.

The Race is a living piece of ethno-fiction, a suspenseful tall tale and a civic theater process engaging with the issues and dynamics of the historic 2008 Presidential election as it moves towards its dramatic conclusion on November 4th. Who will vote for whom? Who won’t? Why? Opening before election night and continuing after the votes are tallied, this unique, responsive performance event finds ways across campus and the larger DC community to ask: What does leadership mean today?

Watch for dynamic political symposia, a special election night performa-palooza, and other ongoing events.

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Post Classical Ensemble: Voice of MexicoPCE

Featuring Georgetown University Chamber Singers

Saturday, November 1 at 6:00 p.m.
McNeir Auditorium

This concert is free and open to the public.

Called by The Washington Post “a welcome, edgy addition to the musical life of Washington,” Post-Classical Ensemble was created by Angel Gil-Ordóñez and Joseph Horowitz in 2001, and made its official debut in May 2003. “More than an orchestra,” it breaks out of classical music, with its implied notion of a high-culture remote from popular art. Its concerts regularly incorporate folk song, dance, film, poetry, and commentary in order to serve existing audiences hungry for deeper engagement, and to cultivate adventurous new listeners.

Repertoire list: (This choral concert exclusively featuring composers from Mexico)
Laudate Dominum - Francisco Lopez Capillas
Aufer a nobis – Francisco Lopez Capillas
Magnificat (quinti toni) – Fernando Franco
Et incarnates est – Anon. (Puebla I, fols. 70-71).
Exultate Justi in Domino – Juan Gutierrez de Padilla*
Vidi turbam magnam – Juan Gutierrez de Padilla*
A la xacara xacarilla - Juan Gutierrez de Padilla*
Quisiera te pedir, Nidida, cuenta – Luis Sandi
Serenissima Una Noche, Geronimo Gonzalez
Xicochi xicochi – Gaspar Fernandez
Convidando esta la noche – Juan Garcia de Zespedes


DC A Cappella Festival 2008

Hosted by: Georgetown Phantoms and Georgetown GraceNotes

Nov. 1 at 7:30 p.m.
Nov. 8 at 7:30 p.m.

Gaston Hall

DCAF is the annual A Cappella concert co-hosted by two of GU’s most charismatic A Cappella groups:  the Phantoms, GU’s first co-ed A Cappella group, and the GraceNotes, GU’s first all-female A Cappella group.  Each weekend of the show features different guest groups; in recent past, this has included Georgetown’s all-male Chimes, Georgetown’s Superfood, and a variety of groups from other universities.   Songs range from oldies to rock to pop, mixing traditional and eclectic for an engaging blend of music.  Both the GraceNotes and Phantoms debut newly arranged songs at the concert, which lends excitement and enthusiasm to the performances.  The concert is open to the public and continues to be an integral and exciting part of annual campus activities.  The Nov. 1st show will feature the GraceNotes in the role of hosts for the concert while Nov 8th will showcase the Phantoms as they celebrate their 20th Anniversary with some special songs, nostalgia and fun!

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GU Chamber Music Fall Concert: The Autumn Rhapsody

November 9 at 7:30 p.m.
In McNeir Hall

Come enjoy an afternoon of music Beethoven, Schubert, Spohr, Dvorak, Shostakovich, Schumann and Mendelssohn. A showcase of music by great composers performed by gifted young musicians. An extensive ensemble variety including a piano duo and trio, quartet and even an octet.  This is what CMEP’s Fall concert is offering to you and there really isn’t better way to spend a Sunday afternoon in November.


The Post Classical Ensemble: The Mexican Odyssey
Featuring Georgetown University Student Performers

Nov. 6 at 7:30 p.m.
Harman Center for the Arts, Sydney Harman Hall, 610 F st. N

Ticket prices: $45, $35 and $25; Students with valid ID: $10.
Available at the Sidney Harman Hall Ticket Window:
610 F Street NW Washington, DC 20004-2207
Phone: 202.547.1122 // Fax: 202.608.6350
Toll Free: 877.487.8849 // TTY: 202.638.3863

Mexico’s explosive cultural saga – from stark Mayan ceremonies to the torrid revolutionary art of Diego Rivera and Frida Kahlo – produced centuries of explosive music. This unique program, combining music, history, and visual art, includes the Aztec intensities captured by Carlos Chavez, the florid reverence of Mexican Baroque, and the shrill trumpets and booming tubas remembered by Silvestre Revueltas from his rural childhood.

For additional information and hours of operation please visit:
http://www.shakespearetheatre.org/harmancenter



GU Orchestra Fall Concert: 99

Dr. Rufus Jones, Jr., Director
Vasily Popov,Conductor
Nov.12 at 8 p.m.
In Gaston Hall

The GU Orchestra is proud to present its annual winter concert. The Haydn’s Symphony no 99 as well as “Titus” overture by Mozart will be on the program.



Love is No Laughing MatterLove

By Pedro Calderón de la Barca
Directed by Barbara Mujica
November 13-15 at 8 p.m.
In the Devine Theatre

An Interdisciplinary Project with the Department of Spanish and Portugese

Who doesn’t know someone like Don Alonso? Cynical, self-absorbed, and boastful, Don Alonso is a confirmed bachelor with no time for love.  Then he meets Beatriz and this time he will have to take love seriously, because, as he himself must finally admit, “love is no laughing matter.” A classic comedy of the Golden Age.

Tickets for students FREE but must be reserved in person at the Callagy Box Office in the Davis Center (11 a.m. - 3 p.m., Monday - Friday).

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Black Movements Dance Theatre Dance Concert BMDT

Nov. 15 at 8 p.m.
Gonda Theatre

Black Movement Dance Theatre opens an exciting season of dance with their fall concert. BMDT will present a full evening concert featuring contemporary modern dance- theatre. The program includes signature company works along with new works by student and professional guest choreographers and performers.


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GU Concert Choir Fall Concert: Texts That Inspire

Professor C. Paul Heins, Director
Nov. 19 at 8 p.m. in Dahlgren Chapel

Free; no tickets required. The concert is a benefit for our sponsored charity (TBD), with a suggested donation of $5.00 per audience member.

The 45-voice Concert Choir’s fall program features works with inspiring texts. The principal work on the program is Leonard Bernstein’s Missa Brevis, a setting of the Ordinary of the Mass (minus the Credo and adding Dona Nobis Pacem). Other works on the program include Three Songs by minimalist composer Philip Glass (texts by Leonard Cohen, Raymond Lévesque, and Octavio Paz), The 21st Century: A Girl Born in Afghanistan by Greg Bartholomew (text excerpted from Kofi Annan’s lecture upon accepting the 2001 Nobel Peace Prize), and “O Vos Omnes,” a short work by Pablo Casals (setting of Lamentations 1:12). The program will conclude with “Hope for Resolution,” by Paul Caldwell & Sean Ivory. This final work is a pairing of the plainsong “Of the Father’s Love Begotten” and a South African freedom song (sung in Zulu).


GU Wind Ensemble Fall Concert

Musical Direction by Prof. Aaron Broadus
Fall Concert – Nov. 20 at 8 p.m. in Gaston Hall

Join the Georgetown University Wind Ensemble for an exciting evening of music featuring outstanding works from composers John Barns Chance and others. Also featuring the terrific GU percussion section.



Raised in CaptivityMandB

By Nicky Silver
Directed by HollyAnne Joyner Giffen, COL ‘10
Nov. 20-22 at 8 p.m., Nov. 23 at 4 p.m.
Poulton Hall Stage III

Raised in Captivity is a ridiculous, witty, dark, and outrageous comedy about a young man named Sebastian, his mothering-obsessed and wanna-be alcoholic sister, her dentist/artist husband who only paints white on white canvases, his desperately repentant therapist, and his convicted-murderer pen pal, who is Sebastian’s only solace. Funny and bizarre, Raised in Captivity is a one-of-a-kind look at human relationships and the oddity of our world.

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The 2nd Annual SAXATTACK!

Yeah, Justin, we're bringing saxa back……
Andrew Levine (COL'11), Music Director
Susie O'Hare (COL'10), President

November 22, 2008 at 7:30 p.m.
McNeir Auditorium

FREE to the public. Suggested Donation of $3 for a local charity (more details forthcoming)

High-energy acappella concert hosted by the Georgetown Saxatones.  Come hear some hot new acappella songs performed by the both on campus and off-campus groups. A cappella never looked (or sounded) so good….. The perfect way to get ready for Turkey Day. It's time to be thankful for lots of acappella!


GUDC Fall Dance ConcertGUDC

Artistic Director, Miya Hisaka Silva
Student Director, Stephanie Gal
Production Director, Kirby Jarrell

Friday, November 21, 2008 @ 8pm Saturday, November 22, 2008 @ 8 pm

This Fall Season, GUDC is proud to present a diverse program of eight classical, contemporary, jazz and hip hop works created by special guest choreographers and student members in GU’s beautiful Gonda Theatre.  GUDC presents returning guest hip hop choreographer, Ashya Upchurch, who will be premiering a new high-energy full company work. Make sure you mark on your calendar one of GU’s most exhilarating and inspiring performing arts groups on campus!!!


Georgetown Jazz Fall Concert 2008

Musical Direction by Professor Aaron Broadus
Dec. 3, at 8 p.m.

Join the Georgetown University Jazz Ensemble for an exciting evening of music featuring selections from the Big Phat Band, outstanding vocals and some great holiday music everyone can sing along to.


Ballet Folklorico Mexicano de Georgetown Presents Posada

Directed by Maru Montero
Choreography by Maru Montero

Dec. 4 at 8:00 p.m.
Poulton Hall, Stage 3, corner of 36th & P Streets

Tickets: Students: $3; General: $4
Purchase Tickets at Davis Center Box Office or call: 202/687-ARTS

Synopsis: A celebration of Posada, which is the 9-day anticipation of Christmas in Mexican Culture. The group will be performing a variety of folkloric dances from different regions throughout Mexico, in a show of festivity, Mexican culture, and holiday spirit. Appropriate for all ages. All of the music and names of the dances are in Spanish


The T Partytparty

Created by Natsu Onoda and her TPST-250 Gender and Performance Class
December 4-6 at 8 p.m.
In the Devine Theatre

Come be our guest at this gender-bending, gravity-defying, common-sense-subverting mad T Party!  Inspired by stories from Washington  DC’s transgender community and staged with a spirit of experimentation, this performance event will transgress not only your gender norms but also your expectations of what can happen in a theatre space.  CAUTION: The T you are about to enjoy is extremely hot...

Tickets for students FREE but must be reserved in person at the Callagy Box Office in the Davis Center (11 a.m. - 3 p.m., Monday - Friday).

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Guild of Bands Fall Band BlastGOB

Dec. 5 at 8 p.m.
In the Walsh Black Box Theater

Celebrate the end of classes with seven bands under one roof. Students will perform rock, pop, jazz and metal while you dance the semester away.

The Guild of Bands is an umbrella organization for small rock, jazz and pop ensembles. Each year we work to improve our performing and songwriting skills, as well as hear from experts in the music business. The Guild of Bands holds auditions each fall, performs collective concerts at least twice a year, and provides music for on-campus events.



The PillowmanNM

By Martin McDonagh
Directed by Josh Goode (COL’10)
Jan. 15-17 at 8 p.m., Jan. 18 at 7 p.m., Jan. 22-24 at 8 p.m., Jan. 24 at 2 p.m.
In the Devine Studio Theatre

In an unnamed totalitarian regime, murders are taking place in the most peculiar ways. Searching for the source of these crimes, two detectives discover Katurian, an young writer whose morbid children’s fables mirror these murders. The Pillowman weaves through reality and fairytale to chronicle the story of these siblings’ lives while testing the audience’s beliefs on topics like torture and justice.

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Hydrogen JukeboxHJ

A collaboration between American Opera Theater and the Department of Performing Arts.

Jan. 16 -18 at 8 p.m.
In the Gonda Theatre

The Department of Performing Arts welcomes American Opera Theater (AOT) for the second year of their 3-year residency at Georgetown University.

On January 16-18, AOT presents Hydrogen Jukebox (1990), a chamber opera featuring the music of Philip Glass and the poetry of Allen Ginsberg. Drawing upon Ginsberg's poetry, this music/theater piece is a portrait of America during the second half of the 20th century. Its content ranges from the highly personal poems of Ginsberg to his reflections on social issues: the anti-war movement, the sexual revolution, drugs, eastern philosophy, and environmental awareness. The six vocal parts represent six archetypal American characters: a waitress, a policeman, a businessman, a cheerleader, a priest, and a mechanic.

Performed in a brand new production for its Washington DC premier, on the eve of what may be the most historic presidential election of our time, this work reaches across boundaries to put the American experience into profound artistic terms.



The ForeignerMandB

By Larry Shue
Directed by Earl Smith, COL ‘11
Jan. 29-31 at 8 p.m., Feb. 5-7 at 8 p.m., Feb. 8 at 4 p.m.
Poulton Hall Stage III

In this classic comedy set in a fishing lodge in rural Georgia, Froggy and Charlie arrive as guests. When people at the lodge try to talk to Charlie, Froggy claims that Charlie cannot talk because he is a foreigner and does not speak English. Due to his supposed lack of ability to understand the language, Charlie soon discovers scandals amongst some of the residents of the lodge. Does he speak up and try to put a stop to their devilish plans, or does he continue to live in silence as The Foreigner?

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The Post-Classical Ensemble presents Copland And The Cold War

A Post-Classical Ensemble Production withCopland
Benjamin Pasternack, pianist; GU Concert Choir, C. Paul Heins Music Director;And Actors from GU’s Theater & Performance Studies Program

Jan. 31 at 7 p.m.
Gonda Theatre

In 1953, Aaron Copland was subpoenaed by Senator Joseph McCarthy. How did the Red Scare impact on the artistic and national identity of America’s most famous concert composer? Our program traces his compositional odyssey; from student years to modernism, 1930s populism and radicalism, to an apolitical “late style.”

Featuring: Aaron Copland: Cat and Mouse, Piano Variations; Piano Fantasy; “Into the Streets May First” (audience sing-along). Plus a re-enactment of Copland’s testimony before Senator Joseph McCarthy’s Subcommittee on Special Investigations, and excerpts from the new Post-Classical Ensemble Naxos DVD of the classic 1939 documentary film The City, with music by Copland.


The Bluest EyeBTE

Adapted by Lydia Diamond from the novel by Toni Morrison
Directed by Obehi Utubor (SFS ‘09)
Feb. 18-20 at 8 p.m, Feb. 21 at 2 p.m. and 8 p.m.
In Walsh Black Box Theatre

Eleven-year-old Pecola Breedlove wants nothing more than to be loved by her family and schoolmates. Instead, she faces constant ridicule and abuse. She blames her dark skin and prays for blue eyes, sure that love will follow. With rich language and bold vision, this powerful adaptation of an American classic explores the crippling toll that a legacy of racism has taken on a community, a family, and an innocent girl.

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Black Movements Dance Theatre Black History Month Dance Concert BMDT

Friday, Feb 20 - 21 at 8 p.m.
Walsh Black Box Theatre

Black Movement Dance Theatre takes the stage for the exciting conclusion to their 2008-2009 dance season. BMDT presents a full evening dance concert featuring contemporary modern dance- theatre. The program includes signature company works along with new works by student and professional guest choreographers.



Donn B. Murphy One Acts FestivalMandB

Directed by Sean Sullinger, MSB ‘10
Feb. 25-28 at 8 p.m., Mar. 1 at 4 p.m.
Devine Studio Theatre

M&B‘s Donn B. Murphy One Acts Festival is an annual showcase of student writing. The evening features a student-written play (which has been work-shopped over the course of the year), a performance from the Georgetown Players Improv Group and a reading from another new play written by a Georgetown student. The Festival also includes a playwriting competition in which students submit new scripts to a panel of professional area artists.

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Jekyll and HydeMandB

Book by Steven Cuden and Frank Wildhorn.
Music by Frank Wildhorn, Lyrics by Leslie Bricusse.
Directed by Meghan McCormick, MSB ‘11
Mar. 25 – 28 at 8 p.m., Mar. 29 at 4 p.m.
Poulton Hall Stage III

Jekyll and Hyde is a thrilling musical tale that contrasts the dark power of medical research with the power of love. When Dr. Jekyll conducts research to isolate the evil in human nature, using himself as a lab rat, he turns into the uncontrollable and evil Mr. Hyde. The play follows the struggle between these two alter-egos and the people in their lives. M&B will be reinterpreting this Victorian tale to explore the questions of genetic research in today’s modern setting.

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LysistrataL

By Aristophanes
A co-production with DC’s celebrated Synetic Theater
Adapted and Directed by Derek Goldman
Choreographed by Irina Tsikurishvili
March 26-28 at 8 p.m., March 29 at 2 p.m., April 1-4 at 8 p.m. (Gonda Theatre)
April 9- 26, 2009 at Synetic Theater (Rosslyn Virginia Spectrum)

Athens and Sparta have been at war for years with no end in sight, and Lysistrata has the answer: she unites the women of Athens to barricade the public funds building and undertake a general sex strike to force the men to come to their senses. Synetic Theater, nominated in 2008 for 16 Helen Hayes awards, now brings its unique blend of movement, dance, text, and music to Aristophanes’ timeless political satire, in this groundbreaking co-production with GU’s Theater and Performance Studies Program.

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Address UnknownNM

Created and Directed by Kevyn Bowles (COL ‘09)
Apr. 2-3 at 8 p.m, Apr. 4 at 2 p.m. and 8 p.m., Apr. 16-17 at 8 p.m., Apr. 18 at 2 p.m. and 8 p.m.
In Walsh Black Box Theatre
World Premiere

Address Unknown is a developing work by and about America’s homeless, written in collaboration with Georgetown artists and performers. Based on a series of creative workshops and conversations, student actors, writers, and designers will work with DC’s homeless community to create a narrative piece that will grow from the stories of the people themselves. It will incorporate art, poetry, spoken word, storytelling, song, and dance. Beyond a play for the stage, Address Unknown hopes to create and empower a community.

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GU Wind Ensemble Spring Concert

Directed by Dr. Rufus Jones, Jr.
April 15 at 8 p.m.
In Gaston Hall

The GU Wind Ensemble is proud to present its annual Spring Concert. Our theme this year is “Oldies but Goodies”. We will examine some of the great, albeit forgotten, compositions from the early-mid 20th century. Masterpieces like: Minute Man Concert March, Fandango, and Chorale and Shaker Dance are just a few of the works we have in store for this wonderful concert. This relatively new ensemble has developed a reputation for performing both traditional and contemporary music with maturity and excitement. This concert will be no different. Come out and join us on April 15.


GU Orchestra Spring Concert

Directed by Dr. Rufus Jones, Jr.
April 19 at 3 p.m.
In Gaston Hall

The GU Orchestra is proud to announce our first All-Beethoven Concert. Beethoven represents the foundation of the modern orchestral repertoire and the GU Orchestra would like to give tribute to this great composer by performing his most recognized work, Symphony No. 5. Come out on April 19 and hear a great performance. We’ll have a few surprises for you as well!


PentecostP

By David Edgar
Directed by Tim Raphael 
April 23-25 at 8 p.m., April 26 at 2 p.m., April 29-May 2 at 8 p.m.
In the Gonda Theatre

DC Premiere

The history of art and the future of Europe are called into question by events that transpire in an abandoned church in a Balkan country just after the fall of the Berlin Wall. David Edgar’s celebrated play is both a darkly comic political parable and a riveting thriller, a theatrically potent incitement to imagine anew the cultural basis for the European Union and the moral implications of globalization.

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